(Italiano) 6 novembre 2018, Parco della musica di Roma, Sala Petrassi, RomaEuropa Festival, The Zone by Daniele Del Monaco featuring Marco Cappelli, Daniele Del Monaco, Ken Filiano, Marc Ribot, Fay Victor
On 4 February 2018, we will perform Psychoplum! at Barbès, in Brooklyn. This preview will be only a first step for a great journey!
Satoshi Takeishi, drummer, percussionist, and arranger is a native of Mito, Japan. While at Berklee he developed an interest in the music of South America and went to live in Colombia following the invitation of a friend. He spent four years there and forged many musical and personal relationships. His interest expanded to the rhythms and melodies of the Middle East where he studied and performed with Armenian-American oud master Joe Zeytoonian. Since moving to New York in 1991 he has performed and recorded in vast variety of genre, from world music, jazz, contemporary classical music to experimental electronic music.
Ken Filiano (born 1952) is an American jazz and orchestral bassist[1][2] based in Brooklyn, New York.[3]
Since the 1970s, Filiano has played or recorded with Anthony Braxton, Fred Ho, Nels Cline, Bill Dixon, Fay Victor, and others.[4][5][6] Filiano is on the teaching roster at the New School in New York.[7] He teaches master classes in bass and improvisation and has a private studio in Brooklyn.
A crowd funding campaign to support Marco Cappelli residency @ The Stone, NYC. Production of live CD and DVD and event publicity.
Le antiche musiche della comunità ebraica romana riscritte per ensemble dal compositore americano Yotam Haber.
Alla voce, Raiz che per l’occasione ha rivisitato e riscritto i testi delle antiche canzoni.
Tastiere Daniele Del Monaco
Chitarra Marco Cappelli
Clarinetto Gabriele Coen
Tromba Tom Arthurs
Violoncello Mark Malkovitch
Batteria Zeno De Rossi
Born in Naples (Italy), Marco Cappelli studied at the Conservatorio di S. Cecilia in Rome (Italy) and then at the Musik Akademie in Basel (Switzerland) in the Konzert-Klasse directed by Oscar Ghiglia.
He has lead since the middle 90ies an extraordinary artistic path, becoming familiar both with rigorous written music as well with free improvisation languages.
